Night photography

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Here are some pictures taken at dusk and shortly afterwards.

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The Humber Bridge

The pictures of the bridge from the side were taken on a seperate day than the ones that were taken from on the bridge. The ones from the side were done at shortly after dusk, it was an overcast day with slight rain coming down at that time. The sky was still light from the sun having already set giving the blue sky and dominant clouds. The exposure was a at 30 seconds which added the motion to the water giving the reflected lights a softer glow.

The bridge close up pictures were taken with long exposures, there were a lot of people on the bridge and this was a good way to take them out of the picture. A long exposure of 20-3- seconds will only record the components of the image that are static, not moving. A person can walk through a long, dark exposure at night and not leave any discernible impression for the camera to record.

The shortest exposure was 10 seconds while most of the images were exposed for 30 seconds. This gave the people enough time to move and not leave any, or much trace on the image.Thank you to the people that knew what I was doing and decided to loiter in front of the camera in the hopes of getting included in the final image.

Some of the rejected images did have the trails of the people moving through the image. In Image 8644 you can see the dotted line crossing the bridge in an arch of a bike riders tail light.

The long exposure also gave the clouds time to move across the scene softening them and giving somewhat of a surreal effect. Not planned but certainly appreciated. The people on the left side of the bridge were leaning on the rail and wrapped around each other, staying still enough to show in the image, magnified their upper bodies do show the blur of motion.

The final two images were HDR compilations with the last one showing my shadow in the picture, oh well. I can always take the shadow out if I want to. The joys of photo editing.

All pictures were on a tripod with a cable release, 400 asa, exposure times vary from 10 to 30 seconds, RAW 14 bit.

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Lightning

Number of Views :154

So how do you take pictures of lightning?

Lightning 1

Click the image for more photos

So you want to take some lightning pictures? Here is a short step process on how to do it.

A high vantage point with a good look at the sky and foreground. High vantage point, like in a building on a balcony. Lets not find a high hill and stand there as the highest thing and play at being a lightning rod! Electricity has already been discovered, lets not reenact the process.

Find a view with a foreground that will also be evenly lighted and look good in the picture. Having a full picture with the lightning in the picture adds more character than just a dark blob, a horizon and some beautiful lightning. Taken a few of those before. Makes for a great picture of a flash of lightning but with no reference. It looks OK but doesn’t make for a very good picture.

Follow those composition rules and instincts.

Step one: Wait for it to rain.

Step two: Find someplace out of the rain to look at the lightning. Put your camera in something waterproof. I have used a nice little camera cover manufactured to be rain proof and even a plastic shopping bag and an elastic. Put the bag over the camera so you can still get at the controls, tear a hole for the lense, put the elastic around the lense to cover as much as possible with the bag and you are ready to go. Not high tech but it works. I put a lense shade on too. This does help in keeping rain off the lense.

Step three: Take some light readings, test images, and don’t worry about the lightning at this point. Make sure that your image is correctly exposed for the image itself without the lightning. Choose an exposure and ASA combination that will enable you to properly expose for the scene but also leave the shutter open for an extended length of time.  If you use an f-stop that is too small (dark) but still gives you the proper exposure for the scene you may end up with a nice scene but no lightning. The lightning could be underexposed. The image on this page was exposed at 15 seconds at f 8, 100 ASA to give a good exposure for the entire scene. When the lightning flashed it did up the exposure in some cases, just like your electronic flash does, but not to the extent of over exposing anything.

Step four: Start taking pictures. Use a cable release and good tripod to prevent camera shake. If you don’t have a cable release then use the self timer, set it for as low as it will go, usually two seconds, trigger the shutter and stand back and watch the pyrotechnics.

Step five: Get your wet self out of the rain and look at some great photos.

Tools:

A good tripod. This mean one that is solid, there may be wind which can cause camera shake on a flimsy tripod. I generally keep the center shaft down to keep it as solid as possible.

Cable release or other means of triggering the shutter without touching the camera. Keep the camera shake down to a minimum.

Camera water proof cover. Or plastic bag.  Good to have if the rain does come your way if you are not sheltered. I have the Kata Bags E-690 Elements Cover but have not had the need to use it yet.

Umbrella (aka lightning rod). Use this to keep the rain off the front of the lense if you have to point the camera up at the sky. You don’t necessarily need to use an umbrella itself as they can act like an lightning rod which doesn’t do the electronics of the camera much good no matter how entertaining for those around you. Find something to reflect the water that you can hold for a while. Piece of cardboard, girlfriends coat

You will find that some of the best pictures happen as you are resetting everything to take the next picture but those are the ones you keep in your head for yourself.

Happy lightning chasing!

Send me some links to your photos or send me your questions and I will see if I can answer them.

 

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Muskoka Falls

Number of Views :217

Muskoka Falls

 

Found Muskoka falls by chance on a day trip to get out of the city. Amazing what you can find by just following the names of the roads. (logical, Muskoka Falls Road, hey look water! Stop the car, get out make pictures). Sometimes things pan out well and you can get a great waterfall and sometimes you drive over a puddle but life is about the adventure isn’t it.

Click on the picture above to see the rest of the gallery and the images metadata.

Muskoka Falls is a very high and powerful fall with its own hydro generation plant. The climb along the water’s edge is quite steep and slippery. Stay back and be careful, if you slip in that torrent they will be looking for your body for a while. The fall is under the bridge with the water transfer pipe running along side for the hydro plant. You can get some decent pictures, cropping out the man made stuff, by moving further down the river.

The area around the falls does have some paths that are marked, sort of. They are not well travelled so you really have to look to find them. There are lots of pine trees and steep slopes and things are a little damp and slippery. I bounced down one slope on my butt holding a tripod and camera case, thankfully stopping before anything too wrong occurred. Not a good day to be wearing the wrong shoes. Funny how you save the gear and aren’t concerned about your own butt.

My preference has always been Black and White photography and with waterfalls it does really bring the depth to the photograph. When I worked mostly in film there would be many hours in the darkroom developing the photograph, dodging and burning in the highlights and shadows to get just the right tones.

In the case of these images the same principals were applied. I selectively dodged and burned most of the images through masking in PS. Increased the contrast on some of them but basically brought out the detail to make the picture matched what I saw in my mind while creating the image.

A very good place to go for pictures, the surrounding woods has many possibilities as well. Bring the bug repellent and some water, lots of flying vampires around there. Although you are not far from the road you will not want to be trying to just run back for a drink.

All images are copyright protected. If you would like to use an image on your website or get a print, please contact me through the email form under contact page.

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Back to Minden

Number of Views :181

Took the drive up to Minden again and what did I find but Neil Ross and James Mildon  on the river with the GoPro camera doing video instalment number 5. Look at the blog and video instalment number 4 and you will see me sitting on the rocks taking pictures.

Click on the picture to see the complete set of photographs from that day.

Check out http://www.boatwerks.net/

Most of these pictures were done with fill flash, 80-200 @f2.8, 800-1600 ASA various shutter speeds. All with the D300 body.

I utilized High Speed Sync to freeze the action and still get the right amount of fill flash for these pictures. Some of the images were at 1/350 others at 1/250, nothing below that as things did have a tendency to blur even with the flash. Mainly I was interested in the facial expressions of the boaters.

The closeness to the river and the long lense gave me the opportunity to get some good pictures of their facial expressions as they went through the white water. The high speed sync fill flash did give some good separation between them and the background with minimal washing out of the water.

As always they are loads of fun to do pictures of. Just the looks on their faces tells it all!

 

Leave a comment and let me know what you think.

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New Moon

Number of Views :180

moon-march-2011 So we had the largest moon in 20 years in March. I missed getting a good image of it while it was at its closest but went out and stood in a field for a few minutes anyway.

This picture is hand held with a 200mm lense on the Nikon D300. When using a long lense to get a good picture of the moon you realise how very bright the moon is.

This was taken at 1/500s, f/8, 400 asa @200mm. RAW 14 bit.

Then was cropped about 50% to get this framing. Slightly increased the contrast and density of the image to bring out the details. Even at that exposure it was a little over exposed.

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Bevertec Boat Cruise

Number of Views :1033

Rogers Center.

Bevertec had the first annual boat cruise in the Toronto harbour. They invited down their clients and out of town guests for an evening cruise through the Toronto Island channels, some good food, good laughs and good memories.


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Number of Views :237

Pudgy signing one of his books.

Kirk Brooks, long time friend and recent author had his official book launch over the weekend.

The prestigious Stonehouse Grill on Winchester street was filled with Kirks family, friends, associates, business acquaintances to share the day with Kirk as he launches his first book entitled “A View From The Backseat”.

The night was filled with readings from his book, poetry readings, accolades, great music and dancing.

Of course anyone that knows Kirk is familiar with his networking abilities which were on full steam tonight with a full compliment to all of his associates.

He is the Konnector alright.

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Kayaking on the Gull River in Minden

Number of Views :815

I took a little road trip up to Minden last weekend and got some decent pictures of the guys from Algonquin Outfitters playing in the waves.

These guys were having a great time doing flips and surfing. We got to see a little more than we bargained for (dude wear some drawers!!)

Its well worth the trip up there for some good photos, the river is very accessible with many places to perch and take pictures.

Make sure that you stop for ice cream just south of the river, great on a hot sunny day!

Enjoy!

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High Dynamic Range

Number of Views :662


These are  High Dynamic Range combination photographs.

These are  a combination of three to five photographs bracketed over a 5 stop range (+2, +1, -2,-1, N)  which were then combined through Photomatix or Photoshop to create the final image.

HDR (High Dynamic Range)  increases the dynamic range of the photograph to include details in places that would not be caught by conventional means. The sensor in digital photography has a set range of light that can be recorded. Anything outside this range will not have detail in it. These ranges can be exposed for but other areas of the image may then suffer loss of detail. This was also done with film in the darkroom through dodging and burning during the printing process which would often be difficult to produce more than one finalized product hand printed. Once the final print is done in the darkroom then duplicating the exact process will leave subtle variances in the final print.

HDR increases the dynamic range of the image by taking the properly exposed parts of the photographs from each bracketed frame and combining those properly exposed areas together to create a final image that has a much broader exposure range.

If the image were exposed in a single frame to obtain detail in the dark shadows then the lighter areas of the image would appear washed out. The same principal would apply if the light areas were exposed for, the blacks would retain no detail.

The program of choice will take the detail in the dark areas from multiple frames  in this case while taking the detail in the highlights and combine them into the final frame thereby giving the much wider range of exposure (dynamic range) and detail in the image.

With an HDR image the final photograph is a combination of 3-5 images exposed to capture the maximum detail of a much larger spectrum than conventionally available.

The software will combine the properly exposed areas of the photograph to create a final image that has a much higher range of exposure detail, or dynamic range.

More to come in further posts on this subject.

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